Land Preparation
Planting
Maintenance
Harvesting
Storing
References:
Hornedo, FH. Taming the Wind, UST Publishing House. 2000. Pp. 139-149
20 Methods of Traditional Fishing
References:
Hornedo, FH. Taming the Wind, UST Publishing House. 2000. Pp. 97-104
Through the years, the Ivatan cuisine has since evolved, adapted, and adopted foreign tastes. But its traditional simple cuisine, despite the influence of modernization, has remained unique and has wowed tourists and locals over the years. Ivatans boasts of simple but healthy cuisine that will surely lead you back to Batanes!
Enjoy the cuisine original to Batanes:
1. Bagun a yuyunu – Salted small fish (local anchovies)
2. Vunes – Dried young gabi stalk chopped in fish, beef, pork, or fowl.
3. Lataven – Raw fish mixed with minced ginger and onions, calamansi juice,
hot pepper, and blanched with boiling fish broth.
4. Lunyis – Salted pork fried in its own lard.
5. Chinavules – Steamed young gabi leaves mixed with diced ginger, garlic, onions and salt.
6. Uved (called Tabtab in Sabtang island) – Grated banana corm mixed with minced fish or ground pork or beef.
7. Yellow rice – Sticky rice cooked in yellow ginger (turmeric) extract and pork.
The community of fishermen assemble on the beach, and in their midst is a shaman, an elderly man who is acknowledged by the community as the true possessor of the proper knowledge of the ritual prayers as well as the ancient ceremonial steps and procedures believed acceptable to the gods.
The ritual proper begins when the sacrificial pig is stabbed in the neck and a small amount of blood is drawn for the libation of the sea. This is done by bringing the pig, well tied up to prevent its escape, close to the part of the shore where the water meets the stones or sand.
(The belief is that if the pig is killed far from the water and blood of the sacrificial animal falls to the ground on the part of the beach, the sea would rise and become turbulent until its waves reach the place where the blood spilled. And the turbulence would not stop until the blood has been cleansed.)
Once the blood is drawn and placed in a coconut shell dipper, the shaman holds it along with a piece of makanyas (copper) and pours the blood and drops the copper into the sea at the same time pronouncing softly the ritual prayers which invoke the god’s favor to give the fishermen abundant catch during the season and to keep safe for sailing so that there would be no sea accidents. This done, the pig, which by now has already died, is singed to remove the hair.
(The shaman refers to the copper as vuhawan nu anitu (gold of the anitu or sea spirits) an aqua colored bead called mutin is also offered along with the copper and blood.)
The shaman leaves the singeing and eventual roasting of the whole pig is left to the assisting fishermen.
When the roasting is over, the entire sacrificial animal is carried to a higher ground where it is laid down and then carefully opened. When the internal organs have been removed, they are laid on large leaves to keep them from getting dirtied.
Then the shaman inspects the liver and the lungs and to read the signs or omens in them.
When the rituals are all over, and the fisherfolk have eaten their lunch, they assemble and hold an election to appoint a leading fisherman from among them to become the mandinaw nu vanua (literally, “the one who launches the port” but actually means “the fisherman who is given the privilege of being the first to formally go out to sea and inaugurate the fishing season.”). The assembly also sets the date the mandinaw nu vanuwa is supposed to go out to fish for the first time. The appointed fisherman is given the option to decide. Once this date is decided, the date for the holding of the second ceremony, the kapangdeng is set. This is ordinarily within the week of the kapayvanuvanua unless bad weather and unfavorable omens necessitate a much later date.
References:
Hornedo, FH., Taming the Wind, UST Publishing House 2000, pp 110 – 111
Pinasakung comes from the root word sakung which means a shelter against the sun or rain. It is a simple structure of posts and roof. The pinasakung has morphed in recent time into a shelter of more varied functions from bicycle shed to travelers’ roadside rest.
Rahaung is a shed that is also called kamadid – the difference being largely in language of origin rather than structure. Kamadid is an Ivatan corruption of the Spanish word camarin (cottage). The two types of rahaung are distinguished by the structure of their woodwork, and consequently by the appearance of their roofs. The simpler structure is called maykulchib. It has rectangular floor space defined by the location where the four main pseudo-posts which support the roof rest on the ground. The second is the ordinary rahaung whose roof rests on at least four posts whose location defines a rectangular floor space, whose height determines the eaves of the roof and where it starts rising toward the roof ridge.
OR
This is a shed usually without side walling constructed of wood, reeds and cogon thatch roof. It is also colloquially called kamadid. It is an all-purpose shelter for farming tools and equipment, for drying produce such as onion and garlic, newly harvested corn, and sometimes root crops. It also houses chicken nests for egg layers. Stone mills (ururan) for grinding corn, and sometimes stable where goats are housed in it, too.
Variants of the common rahaung keep the same structure, but differ only because of the addition of jinjin (a wall made of sewn cogon) to varied sections of the structure. To lessen the amount of rain coming from the open ends of the gable roof, a jinjin closes the gable’s opening halfway down, or sometimes all the way down to the horizontal cross beam or tukah. A rahaung intended for safekeeping harvested root crops and agricultural equipment needs some enclosure. To keep safe from stray animals and rain, all or some sides are walled with jinjin – in which case the rahaung is also called nijinjinan.
Vahay in Ivatan, although generic, also has the underlying meaning of a human dwelling place so that vahay a jinjin suggests a human habitation enclosed with jinjin (a wall made of sewn cogon) walling thatched with cogon. Today, the vahay a jinjin has attained various levels of sophistication and aesthetic aspects.
A rahaung structure built in the farm intended as rest house for farm workers, or as sleeping shelter for farmers who wish to save on travel time from village to farm on hectic days called panisanan (which means a farm house where one can stay overnight or for several nights while urgent farm work lasts).
A sheltered cooking place. From Spanish cocina. A kitchen house. As life became more urbanized after the forced settlement down from the hills, the kitchen house also became a store room for harvested produce such as yams, camote, corn, garlic, and onions. In many kitchens, pigs were also kept.
The traditional Ivatan living room house. Its complete name is rakuh a vahay – the big house (that is “bigger than the kitchen house”). It is where the Ivatan family live away from the low, and usually smoky kitchen.
This type of house is the common two-sloped roof of either the rakuh or the kusina. It is made of lime – and – stone with thick thatched cogon roof. The house in picture A is typical in the Batan and Sabtang Islands where cut stones are used. Like most Ivatan houses, a blank wall faces the direction where strong winds originate during typhoon. The absence of regular-shaped stones in the island (Itbayat) is evident as houses are made with extremely irregular and rough pieces of rocks (lagat and pilñit). As in other types, the cogon roof usually lasts up to 25-30 years with minimal repair.
This type of house under rakuh or kusina has stone and lime walls with a distinct four-sloped roof. Lime plaster on the exterior surface of the walls has been noted in some houses. This type of house is mainly used for dwelling and is considered to be the most labor-intensive among all the Ivatan vernacular houses. It also requires huge volume of cogon. The thick roof (about a yard when new) provides it excellent thermal characteristics: cool during the summer months (April – June) and warm during the winter (December – February).
Like the sinadumparan, the typical maytuab house has narrow doors and windows with wooden shutters and often secured by a wooden bars (usually a meter and a half long) during typhoons or windy days. Both types often have two floors, the upper for human dwelling and the lower floor that houses domesticated animals during inclement weather. A roof net (called panpet) made of large ropes is thrown over the entire roof and fastened to strong pegs, large stones or sturdy trees to secure the roof during strong typhoons. Both types may still be found in all the municipalities in Batanes although less of these types may be found in the capital town of Basco.
References:
Hornedo, F.H. 2013, “Typology of Traditional Ivatan Shelter and Architecture, part One”, Ivatan Studies Journal Volumes XI-XII, Saint Dominic College Inc.,
Hornedo, F.H. 2015, “Typology of Traditional Ivatan Shelter and Architecture, Part Two”, Ivatan Studies Journal Volumes XIII-XIV, Saint Dominic College Inc.,
Hornedo, F.H., Taming the Wind, UST Publishing House. Pages 73-79
Yuvuk is a farming container for women used for keeping, handling or transporting farm products. The artistic cone-shaped basket is carried with a strap suspended and hanged at the back. The strap is adjustable according to the height of the user. Upper part weave of the strap is flat to make it comfortable for the carrier.
Kanayi is an all-weather sleeveless “jacket” gear worn by man while working in the farm. There are two (2) types of kanayi, the Dinung made from stripped vuyavuy leaves and the Tadidi made of banana leaves. It cools the body on hot working days and keeps warm on rainy and cold days.
The Vacul or Suut is a woman’s headgear which is used as a protective gear from rains and the sun’s heat while working in their farms. It is an all-weather protective gear. It is cool on hot season and warm on rainy and winter season.
Vuvud is a basket made of nito purposely for keeping jewelries and other valuables. Its shape is oblong or round with cover.
References:
Ibardo, T. 2013, “Selected Traditional Handicraft: Their Economic and Educational Potential”, Ivatan Studies Journal Volumes XI-XII, Saint Dominic College Inc.